Tag Archives: John Keats

Counting the Differences Between Consequences and Repercussions

cover to a recent edition of Ideas Have Conseq...

cover to a recent edition of Ideas Have Consequences (Photo credit: Wikipedia)

Meena and I had talked about the differences between consequences and repercussions and how they differed. We wanted to share that conversation with readers. These two words which get bandied about and interchanged are, in fact, two entirely different things, though they look the same, on the surface.

Claudette: Would you rather deal with consequences or repercussions?

   Meena Rose: I would have to say that consequences can be planned for… as they say; sometimes it is better to ask for forgiveness than permission

Claudette: True, up to a point. For instance, the problem you had at work today. That was total consequence.

        Meena Rose: Yes

Claudette: You had nothing invested in it from the beginning, but still had to deal with the consequences. At the same time because of those consequences, you had to deal with the repercussions of the same situation.

  Meena Rose: Repercussions: represents the vaster unknown. Not really unknown, if I can lay out exactly how things correlate.

Claudette: Of course. That’s because those deal almost exclusively with human factors which are unpredictable. With human reactions, you can correlate only so far before the factors explode in your face, or lie down like good little doggies and play nice.

Meena Rose: the more I can map the systems, groups, policies, information together the more I can proactively anticipate consequences and impacts. You did ask for my preference… I do prefer managing repercussions.

Claudette: Sometimes it’s easier to sooth people than rebuild systems that don’t want to play well with existing models.

Meena Rose: I enjoy learning from them and integrate them into a network of knowledge so they become known consequences which you can plan for.

Claudette: And yes, I’ll agree, before you ask, that with computer systems there is such a thing as repercussions that can be mapped. With people, not so much. What happens to that convenient map when an unknown enters the picture?

   Meena Rose: The map is a reference and a guide… When an unknown enters, the first step is recognizing that one has entered.

Claudette: So you’re not going to allow it to become static. It must remain fluid, flexible as to permutations and possible unanticipated interactions?

Meena Rose: The next step is to draw from collective experience for the best path forward if the map became static it would be useless.

Claudette: What happens if you have no real clue that such a factor has become a player? I agree with you. Maps must be able to breathe.

Meena Rose: Well, there are symptoms that tell that picture… it surfaces as points of disharmony or friction or stagnation.

Claudette: How so?

       Meena Rose: In a system, process or routine, every player has a known role with an expected outcome… we all depend on the execution of a series of connected actions. So when one “misfires” it typically disrupts the surrounding actions…

Claudette: Question: what happens if there’s an unknown player, one not recognized officially by the group? A player who’s effectively invisible?

Meena Rose: Basically the “unknown” factor will cause debris about them. Everything leaves a trail of impact no matter how careful a grain of sand shifting could cause a tsunami on the other side of the world.

Claudette: Perhaps, but I’ve seen that rare bird, which is invisible, brings about flux in the system, and no one really understood that the player was involved. And I agree. The problem comes from those small, inconsequential factors that are so innocuous as to be continually looked over.

  Meena Rose: Exactly, but that is where the “sentry” for map needs to be vigilant and watchful.

Claudette: At least, by the persons involved in the hunt. Case in point: something said in passing that sparks a question in someone’s mind.

Meena Rose: They need to proactively seek out such disturbances.

Claudette: That person goes off seeking an answer to that question, involving several others in his dept. in the hunt for truth, which takes the group off into the ozone on the trail of the illusive answer. The snowball keeps building until whole divisions, at one level or another are involved in seeking the answer. The problem is that the original question is still waiting, still a potential bomb of sorts.

     Meena Rose: Yup

Claudette: Days or weeks later, the answer comes, after involving hundreds of people, a dozen facilities, and leaving everyone spent.

Meena Rose: Been there, done that.

Claudette: The reason the question was so important as to warrant such outlay of time and personnel–the answer could effectively change everything that’s done within the framework of systems used and developed, which were already going through a changeover.

In the end, the one who’d asked the original question, the invisible one who sat in plain sight waiting to find out the answer, had been forgotten during the search.

    Meena Rose: That happens at times… when I ask questions, I typically keep a pulse on the answer or the progress to obtaining such an answer.

Claudette: The consequences far out-weighted whatever repercussions created. That’s difficult to do when cross-house communications aren’t supposed to be done on a certain level.

     Meena Rose: The question was asked for valid reason of a particular person… it was not just a request into the ether.

Claudette: That is true. It was critical and one that none had thought to ask before. Hence, the trampled ant hill effect.

Meena Rose: Well, Claudsy, it has been my experience that in most corporations there are “map holders”, they understand the importance of such a thing and typically communicate with their counterparts. My first task in any organization is to seek those people out.

Claudette: That may be true now, in this century, but remember that things were a lot different back when I was corporate. And the scenario isn’t restricted to corporate work, either.

     Meena Rose: True

ClaudettePolitical and media are as bad or worse in their own way. They have the ability to bring millions in on the scurrying activity to no avail or purpose.

    Meena Rose: Even non-profit organizations.

Claudette: Exactly. Any time you have a group of people, who are influenced by outside factors, which are not known by all the group members, you take the risk of the ant hill effect.

       Meena Rose: Actually, in those cases, group think and tunnel vision curtail much needed dialog.

Claudette: Very true. There’s something else as well.

  Meena Rose: Let’s see…

Claudette: Consequences can always be dealt with because they are logic based. Repercussions are all of those irrational, illogical effects that take hold because possible consequences are transmitted to al many people before the whole problem is known.

Meena Rose: I also view repercussions as the organizational ricochet effect…

Claudette: The consequence could have an easy and relatively painless solution. The real problem may come because of the collateral damage. Yes, that’s a good corporate term for it. I need the visual one.

    Meena Rose: So to a given party, it would be completely out of context and illogical when the originating party knew exactly what they thought the full impact would be.

Claudette: Sure. You see it all the time in politics. I believe it all comes down to the size of the population that might be effected by the consequence. For instance, if the problem, whatever it is, can be contained to a population the size of family, repercussions are kept to an absolute minimum.

If the problem has the potential to effect a small company of 25 employees, it has stronger effects. You have 25 families involved now.

  Meena Rose: Great observation.

Claudette: If you have a problem–let’s say a bridge gets washed out on a country road to a little town in the Midwest. I mean, really, a little bridge, what’s the big deal? Right?

Well, not so fast. That little bridge might be the only bridge that was serviceable before being washed out and all of the citizens on the country side of it can no longer get to town to do anything. The kids can’t get to school, people can’t get to work, etc.

Meena Rose: Yup. Something similar happened to my coworkers. They were stranded from their families and could not get back home.

Claudette: How long did it take to have it fixed?

Meena Rose: 2 weeks. One coworker resorted to “risking it” on another bridge while the other decided to cross the river on foot.

Claudette: So, two weeks of frustration, lack of supply runs, emergency personnel, etc. for two weeks. Is that right?

     Meena Rose: That is correct, Claudsy.

Claudette: Okay, so, how many people died as a result of not ambulance service?

Meena Rose: One of the other coworkers who felt like she could cross back like the others… was in dead panic trying to get someone to check and care for her elderly mom

Claudette: Lucky. What about those who’re pregnant? Where there any house fires during this time?

  Meena Rose: Thankfully, they had a regional hospital on that side of the river… albeit 2.5 hours out

Claudette: How did they get food and supplies in to these stranded people? At least they could get out at all.

  Meena Rose: The community pulled together… a couple of the grocery stores provided the supplies.

Claudette: The thing is that even such a small thing becomes a snowball. What if the county has no funds to build a new bridge? What if they can get the funds but it’s during a season that makes building along the creek/river nearly impossible? And on and on.

Meena Rose: Exactly

Claudette: I sometimes think that there can be little way of containing any major snowball of these two aspects of daily life.

The CDC and major governmental agencies have all found out one fundamental bit of wisdom. The truth will always come out, and usually in the least amenable manner. I’m sure the Wall Street and banking debacle wasn’t expected to explode like it did with repercussions continuing to ripple, even now.

  Meena Rose: Natural disasters sure test our systems and readiness all the time, in the most unpredictable ways.

Claudette: So very true. And Mother Nature keeps finding so many ingenious ways to test those systems, doesn’t she?

Meena Rose: She sure does… Of course, there are man-made disasters as well.

Claudette: We never seem to learn. That’s true enough.

Meena Rose: I think it goes back to the scope of impact. I think we have the “within the nuclear family” figured out… some would include extended family

Claudette: It starts getting a bit hairy at the extended level for many families. It’s the communications thing, it seems. Still in all, we have to deal with both of these aspects sooner or later. I just wish that people wouldn’t use the terms interchangeably. That’s what keeps getting to me.

Meena Rose: Which term? Consequences?

Claudette: Yes, and its uncomfortable cousin, repercussions.

The discussion ended at that point. As usual, time flew too fast and we had barely begun scratching the conversational itch. Still, we covered a lot of ground on the differences between these two terms and their impacts on us.

New Posting on Two Voices, One Song

English: Musical score example of two voices i...

English: Musical score example of two voices in parallel motion (Photo credit: Wikipedia)

I’ll be back later today with a posting for Claudsy’s Blog, but in the meantime, why don’t you pop over to Two Voices, One Song to see a piece on traveling your personal road, to whichever destination you have in mind.

You’ll also find there a group of excellent links to other informative and thoughtful offerings around the ether. A new profile is offered behind the Red Door as well.

Enjoy yourselves. Until I see you here later,

A bientot,

Claudsy

 

 

http://2voices1song.com/category/garden/

Thoughts Tumbled & Ideas Brewed Over All Things Regency

Portrait of Jane Austen, from the memoir by J....

Portrait of Jane Austen, from the memoir by J. E. Austen-Leigh. All other portraits of Austen are generally based on this, which is itself based on a sketch by Cassandra Austen (Photo credit: Wikipedia)

Today, Claudsy and I decided to explore the letter that I wrote for The Kitchen yesterday: The Curious Case of Master Eamon Barrington. I had received feedback from a number of reader asking for a whole book in that vein. I confided to Claudsy that I was not sure if I could stretch this letter into a novel. And voila, I went from a series of letters to so much more.

Understanding the Regency Period

Claudette Young
Shall we get to your story/letter?

Meena Rose
Yup

Claudette Young
Did you read that explanation article on the Regency Period that I linked for you (http://www.orregency.org/description.htm)?

Meena Rose
Yes, I did a quick read yesterday.

Claudette Young
Did it help you understand the kinds of behavior rules that prevailed?

Meena Rose
Yes… I am a big fan of Jane Austen… the article helped confirm that her works were indeed about the Regency era. So that gave me a firmer anchor on the topic.

Claudette Young
Good. One of the biggest truths about that era, I think, is that the rules that governed the surface of daily reality simply acted as a bedcover for the secondary set of rules that were never spoken of, but understood, at the same time.

It was as if two images were superimposed, one overt, one not, and everyone chose to ignore the one while living inside the illusion of the other. If that makes sense to you. The Victorian Era wasn’t much better, as far as illusions go.

Meena Rose
Well, I am not sure of the distinction of the Victorian era… it appears similar in many regards… still digesting your prior paragraph.

Claudette Young
Sometimes my head gets a bit convoluted.

Meena Rose
I can see that there may be a set of agreed upon social values and “constraints” in the name of honor and all. I can also see the “hot blood” of mankind yearning and desiring for more.

Claudette Young
I often wonder if it really had to do with honor so much as it had to do with the noble houses being concerned about their own standing within society. These are my own speculations, you understand. The peerage has always taken itself very seriously, it seems to me.

Meena Rose
There are those who will act on it and those who will help those act on it and those who will turn a blind eye to it and those who will use it as a weapon.

Claudette Young
The blind eye is part of the problem throughout those years, in some ways. There was plenty of weaponry, which often led to that blind eye problem you mentioned.

Meena Rose
Honor back then meant securing the name of the noble house and thus its income and influence… there was nothing personal about it in my opinion.

Claudette Young
I often wonder if there was a ton of scandals during the period just preceding the Regency, which helped fuel some of the social strictures that came to exemplify that time. And, you’re right about the nobility. It’s always been about power, and money is the market/counter of money.

Yet the excesses that flourished during the 17th and 18th centuries almost guaranteed that it would all come tumbling down around their ears and leave many of the great houses worse off than they’d ever been.

Meena Rose
I can see confidants turned traitors at times by dangling a bit of income… or a slight… when ones pursues the person the confidant secretly yearns for.

Claudette Young
Oh, yeah. It’s easily done. Especially on the women’s side. Having an income, whether as a single women (Not preferred) of as a married woman (often not for love/friendship) was of top concern. Other than servitude of some kind, women weren’t socially accepted if they had to secure employment.

Meena Rose
Exactly. Women of means back then… were women of “borrowed” means. Which meant they really were not free and that it was a contract of habitation more than a true union of love.

Claudette Young
In a great sense, that’s true. You and I, my dear, would have been tossed to the roadside in those days, each for different reasons.

Neither of us would have had an education. Well, you might of because of your parents background and where you came from, but that would also have created a major stumbling block for you. And from what I’ve read, there was little in the way of “legitimate” love for women or men in that period. It was convenience or power based, only. One married to legitimize their own existence, at least in some sense.

Meena Rose
I can imagine not having an option of being unwed… also House before person… of course, my tutor would be out of reach as he would not have been deemed worthy… despite the many hours of “contact” we would have shared

Claudette Young
Men were allowed to have bastard children. In some ways it was expected; sowing oats and all that. For women–NEVER! For men, having a mistress was not shameful, having a boy toy had better never be revealed.

Legitimacy was everything, position gave you that, and playing the social games helped you get a position.

Meena Rose
I can see the social game being something I was good at and equally abhorred.

Claudette Young
I think so. Me, I would probably have had to marry someone like the Huntsman or the Stable Master. At least I like horses.

Meena Rose
You would have been in charge of the logistic operations of a noble house. Ideally the house I would grow up in.

Claudette Young
Bless you. I’m going to assume you mean the Manor’s Housekeeper or Chatelaine. That would give me a stuffy and very prissy Head Butler for a husband. Heaven forbid.

Meena Rose
We would find time to steal away into the garden for teachings no one else cover… what you say to me could have cost you your life if anyone overheard… yet you do so anyway.

Claudette Young
Although, of the more domestic positions, that would have been one to strive for.

Back to the Story

Claudette Young
As to your Lady of the Letter–I like that title, BTW–she would be of the peerage if she sang in the salon of a Manor House where her admirer witnessed her performance. I like your title for the overall story, but for the next installment, perhaps the above title could work. Have you decided yet where she’s going?What is her response to this missive from Mr. Barrington?

Meena Rose
She is intrigued but has been a tried hand at getting such letters in the past… She needs to be choosy… she responds with soft words of recognition confirming she noticed him in the crowd… and offers him an chance to glimpse her again.. this time in public… in a place where he can follow her and hear her muse to her friend.

Claudette Young
Oh, very good. How is she connected to those of the House where he saw her?

Meena Rose
It was her House’s gift to honor the Havisham’s with her gift of song celebrating a hunting accomplishment of the first heir who her family intends her to marry.

Claudette Young
Does she agree, or is she looking for something else in her life?

Meena Rose
Mr Barrington is a spice she had not realized she had been missing.

Claudette Young
Makes it even better. But will she go too far in teasing poor Mr. Barrington? He seems very intensely sincere, not part of a game. Could he be just that? Love at first sight for a socially well-versed young woman who takes joy in the game. Will this be a morality play of sorts?

Meena Rose
Mr Barrington is a well traveled man.. he offers the wonders of the outside world… it is love at first sight for him… he knows he needs to navigate the obstacles to get her… yet what he does not know as an outsider if he would even be considered… you can tell he is a man of means but he hides those depths… he knows it to be a risk for his family had fallen out of favor in the past.

Claudette Young
But what is the history of his “means”?

Meena Rose
Barrington is not his name…

Claudette Young
Ah, I see. So his family history is murky. Pseudonym. Good.. I suppose he’s VERY well off, and can get what he wants if he chooses. How do you intend to deal with all of the machinations involved in this pseudo-courtship?

Meena Rose
He could but he wants to win her for Love

Claudette Young
He’s a romantic. That will work. At least from the female perspective.

Meena Rose
Yes.

Claudette Young
Are you going to have her lead him around–willingly on his part–for a while and then deign to accept an invitation to dine with him, which includes her own family?

Meena Rose
As much as he yearns for her company, he must impress upon her his uniqueness… bringing fresh experiences ever so subtly.

Claudette Young
Good thinking. Give her something her intended cannot. Solid strategy. Titillation for both Eliza and the reader.

Meena Rose
He will gladly be lead around so as to grow their bond… he enjoys the game… yet Eliza does not realize she is the game.

Claudette Young
Even better. She’s playing a game where she’s the prize and she hasn’t tumbled to that understanding yet.

Meena Rose
And yet to him, she is so much more

Claudette Young
Is Barrington, perhaps, negotiating with her father, under wraps of a business proposition at the same time; all while she has no clue as to the part of it, nor would her mother, for that matter.

It Barrington playing the whole family to get what he wants, which is her? And once he has her, if he gets her, where will he take her? Will he take a place within reach of her usual social circle or pull her away from all she knows for the adventure of an exotic land where his power really comes into the foreground? And if an exotic locale, where?

Meena Rose
In his family’s murky past… they have been betrayed by the Keats… he came here to seek to revenge and found love instead.

Claudette Young
Ah, the plot thickens.

Meena Rose
In the end, the Keats will be in shock as he finally reveals the identity of his family but only after he has been wed to Eliza and whisks her away.

Claudette Young
I see. And by this time she has settled into her own love for him.

Meena Rose
His family went to America which is where they recovered and grew their wealth even more. Eliza and Mr Barrington set sail for America.

Claudette Young
Now, question to consider. America! Good heavens, I would have thought you would go somewhere far more exotic than that. Have you done a bit of research yet on the real name of your imaginary Mr. Barrington?

Here’s the question. Do you intend for Eliza’s younger brother to be the poet, John Keats? Or perhaps a close cousin? If so, you might need to get some plausible background foundation for that line of thought.

Meena Rose
Not yet Claudsy…no research done yet.

Claudette Young
Okay, it’s a thought, though. That would tie things together really well in some ways. Keats was known for his love poems and his letter. And since this whole story began with a letter…

Meena Rose
It could be neat to relate John and Eliza into the Keats households.

Claudette Young
Perhaps the end of the story could be just that; a letter from her cousin John, who was still quite young when she left with her new husband who’d stolen the pride of the Keats family.

If you could have “Barrington” has another well-recognized name that historically left England under odd circumstances, that would really pull things together.

Then it becomes an historical fiction set in the Regency Period. That has real possibilities. That kind of story could also allow you to use your own kind of fluid poetry to help tie emotions and circumstances together without a lot of narrative.

Meena Rose
Huh..

Claudette Young
This could turn into a really fun project.

Presentation to the Reader

Meena Rose
I wonder though about the presentation to the reader… there is a good bit of plotting and scheming and social intrigue here… would it be possible to truly contain those to the letters?

Claudette Young
No, that’s not what I meant.

Meena Rose
ok

Claudette Young
The whole story, if simpler than we’ve discussed could be contained in letters, but not a full-blown historical romance. I merely meant that some of the internal narrative, at least from her side things, could be expressed in poetry she sends back to him in the form of a letter. That would allow you to explore the type of poetic style of the period, show portions of otherwise inexplicable personal emotions, and operate as a narrative device, all at the same time.

It would have the advantage of being something different for the average reader, as well. You’ve been talking about personal expansion here lately. This could be one way to do it without having to go terribly wild in the process.

Meena Rose

I understand… i wonder if it could make it a good blog serial though.

Claudette Young
That’s entirely possible. But fiction is fiction, and must be approached that way. I know you well enough to know that if you choose to do this, it will be your best effort, even in rough draft form. Use the blog to do the rough draft. Later decide if you want to actually put it into a true manuscript format and get it published as a novel. The time lapse between first draft and final decision can be as long as you want. You’d probably only add 500-1000 words in each installment, wouldn’t you?

Meena Rose
Hmmm… I think I will need to think on this some more… the mode of delivery… one question: Eliza’s POV or Mr Barrington’s?

Claudette Young
Why not both? Or omniscient?

Meena Rose
I thought omniscient was a little taboo in writing.

Claudette Young
I thought so too, until I found an article the other day which talked about how many readers prefer that mode because if gives the reader the thoughts of all the main characters and makes the whole thing more real for them.

I’m trying to remember where I read that. One of the writer’s mags, I think. I’ll have to see sometime over the weekend when I think of it again.

Meena Rose
In Middle Eastern story telling, the story teller is always omniscient… which has been one of my greatest challenges in long pieces of writing…to commit to one POV only.

Claudette Young
I understand completely. I have the same problem. One of the things I learned by listening to Holly Lisle is that if you aren’t happy with what and how you’re writing, how can your readers be happy?

I like omniscient. It makes a more fully rounded story for me. I don’t feel like characters are keeping secrets from me as the reader.

Totally off the subject, but I’m going to post my own take on that prompt for my turn.

Meena Rose
I look forward to reading your take on the prompt, Claudsy. Well, my friend, I wanted to thank you for your time and help with sorting out Miss Eliza and Mr. Barrington.

Claudette Young
You’re more than welcome, Meena. I love brainstorming, new and old plots, stories, ideas…

I’ll be happy to send you a copy of it, Meena, so that you have some idea of how far afield I went.

Meena Rose
◦ Ok…

Claudette Young
◦ Stay tuned. You never know what I might throw in your direction. I’m going to let you get back to your work, kids, and everything in between, my friend. I so enjoy our little sessions like this. It lets my mind sweep out the cobwebs.