Category Archives: Conservatory

Poetry–wonderfully full but serene place with a running brook and benches for contemplation.

Sunday’s Blossoms: Deliberately Bad

Courtesy of BJ Jones Photography

Courtesy of BJ Jones Photography

Those who popped in this morning to get the prompt for the day were greeted with one to boggle the mind.  Prompt #108 wanted us to wWrite a “Bad” poem.; not a poem about something bad, but one that was bad.

Like most poets, I’m one that tries hard to eliminate the bad so that something good appears before the eyes of the reader. And as usual, my resulting verse was one that circled around and ate its own tale. I hope you will forgive this intentional destruction of poetry efforts and enjoy the irony of it all.

It Stinks

Well, it does.
little thing can’t help it.
Its how it was made.
None can blame the
created for being brought
from the mold too soon.

It slides around, in search
of an appreciative pat,
only to find no hand raised
to lend it aid and comfort.
It can’t help itself or it’s odor;
its just a bad little poem.

Tableaux Present Pictures

African Herd Running

Poetic Bloomings’ In-Form Wednesday—The Tableau: 1+ verses, 6 lines each, 5 beat lines, rhyme optional. Title should contain the “Tableau.” Poem should reflect “picture or representation of the meaning of “tableau.” Picture should come to mind for the reader.

Grace of Form (Tableau)

Within one breath’s space,
Equine flyer soars
Over gates half its height,
Stretched in gleaming
Glory as rider
Seems to lift them both.

Upon a Wing (Tableau)

It rests, sloe wings spread
over leaf, its glowing
teal symbol flashing
its message for all
to take fragile peace,
share liberally.

Butterflies do sooth
cold hearts, pained psyches,
with delicate charm,
Indiscriminate
of those who share
peaceful beauty’s days.

On today’s Poetic Asides, we’re faced with a need for a poem about being “on the run” or “on the loose.” I was listening to African tribal-influenced music at the time and this is what came out. I kept the same form I’d used a couple of hours earlier to write for Poetic Bloomings.

Savanna (Tableau)

Hooves drumbeat forward,
Swerving, flowing, fast–
Running from pride’s threats;
Leaping, flying, blur
To eyes choosing prey
To feed family.

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Sunday Poetry and Anagrams

The Old Throne Room

Today’s Poetic Bloomings Prompt #107 asks us What’s in a Name. As with the writing challenge given us last month for NaPoWriMo, we get to pop our names into an anagram generator program and use anagrams created from our names to use in a new poem. There was a twist to this request, however, We were to take as many of the anagrams as we wished to provide lines or parts of lines within the body of the poem; not just for the title.

I admit it. I got a bit carried away since I had over 1000 anagrams to choose from. So I write a story instead of just a poem. Call it a short epic poem, if you will. I hope you enjoy it.

Legacy Tuned Out

In the long ago
A teacher came
To educate Lug Tony;
Whose gay uncle touted
a coy legend, tutu in hand, but
a decent guy, lout not at all.
He put forth a challenge
The teacher could not refuse.

Uncle threw down a crimson velvet
gauntlet, coy due to teacher’s fine face;
acutely tongued, Uncle said he had
located Tune Guy, musical genius
extraordinaire, to create a legacy
duet unto the people of his land.
Palaces and castles ordered
The world and nobility ruled it.
Uncle wanted his nephew to learn
the dance lute, gouty though it might be;
this a judgment in ducal tongue,
yet teacher took time to press for
particulars on his new student’s problem
when the lad arrived caged, unduly toted.
Wild-eyed and slavering, barking as
Would hounds to the huntsman’s horn.

“Ah, reluctant to learn a skill.”
Tune Guy stepped forward, bowing
Before he explained the situation.
“We have his lute acutely tuned. Go
To him and begin quickly, that I
May begin my Lunacy Etude. Got
To have it completed before the
Festival in a fortnight’s time.”

“We wish it to be the people’s
Official Gale County Duet,”
Uncle burbled, his eyes gleaming.
“We were given one word by your
agent—dulcet. You may begin
To sooth this beast, give him
Lute skill and grace for all.
You have little time to spare.”

Teacher gulped chagrin like
Fine wine and looked at his
Unkempt, feral pupil and imaged
A most unkind fate to come;
Future’s portrayal would paint
His new cadet lute, young
Lug Tony, as providing
Teacher’s final musical work,

May Begins New Weekly Poetry

Night Sky

Poetic Bloomings In-Form Wednesday Prompt—Trois par Huit (3×8 or Octa-tri) This is a short form containing 3 stanzas of 3,3,2 lines for total of 8 lines. Syllable count runs 3,6,9,12,12,9,6,3. Rhyming scheme of AAB, BBC, CC, where the last line is the title of the poem and summarizes the meaning of the poem.

Darkness Waits

Lives take time,
No reason and no rhyme,
A series of photos mind-captured,

Telling of life’s venues, taken as we mature;
Some color, others not, held for review’s future,
Marking time in mind’s drawers with dates,

Slowing with aging’s states,
Darkness waits.

#  #  #  #

Poetic Asides Prompt # 217—Write a confused poem.

Lateral View

We see others from front or back,
Never attending to sides,
Why is that?

Aren’t sides important to see wholes,
Each with crooks and crannies
That give depth?

Thin or thick, sharp or dulled,
Aren’t sides part of all
That move or stand?

Can a front and a back be
Without the lateral view?

April’s Final Poetry Challenge Day

NaProWriMo3

Day 30 of April‘s PAD challenge is a Two for Tuesday. We’re asked to write a finished poem. Write a never finished poem. Our choice to do one or both.

Dog Days

History teaches me
dogs come with pain
Of varying kinds;
Pain of housebreaking,
Pain of social training,
Pain of separation
For them more than me,
Pain of diet upsets,
And that last, worst pain—
Saying goodbye.

Four dogs of my own,
One sweet and blind,
One adventurous to
Guide me through life,
Another more timid to
Act as guiding guardian,
And lastly one in more
Need than me wanting
Only love and safety;
Each giving, each gone.

Caring too much for such
Companions makes letting
Go more complicated
And painful than many
Can feel or understand;
Makes it too painful to
Release, now insuring
A no-repeat scenario.

#  #  #  #

This final day of NaPoWriMo gives us another opportunity to stretch our lyric muscles.

Find a shortish poem that you like, and rewrite each line, replacing each word (or as many words as you can) with words that mean the opposite. For example, you might turn “Shall I compare thee to a summer’s day?” to “I won’t contrast you with a winter’s night.” Your first draft of this kind of opposite poem will likely need a little polishing, but this is a fun way to respond to a poem you like, while also learning how that poem’s rhetorical strategies really work. (It’s sort of like taking a radio apart and putting it back together, but for poetry).

For this little challenge, I snagged my friend De Jackson Miller’s poem:

Six of One (De’s)

Not everything bent
is broken, not everything
cracked gets tossed.

Not everything spent
is spoken, not everything
broken is lost.

Only Half a Dozen (Mine)

Only nothing straight
Is whole, only nothing
Unmarred is held.

Only nothing saved
Is silenced, only nothing
Whole is secured.

Next to Last Day of April’s Poetry Challenge

Tomorrow will finish off another Poetry Challenge Month. April will turn into May, leaving behind a broad swath of verse from the international community of poets. It’s been an interesting year for those who write poetry. Life has landed many challenges into the laps of those striving to complete the task.

Some have made it through. Others have struggled and left the field, not because they wanted to, but because circumstances forced the issue. While I have a moment, I want to commend all who have travailed whether to the end or not. The effort is the thing in poetry, not quantity. There is always another day for writing verse, another inspiration waiting to spark the flow of words.

Brava! Bravo!

Now, on to the day’s task. I hope you like the offerings here.

PB week-105-photo-prompt-egg-barbara-youngPoetic Bloomings gave us another prompt for an Ekphrastic poem yesterday. Prompt 105—Ekphrastic poem—image Broken Eggshell. I always enjoy taking a spin through the image-o-dial for a writing prompt, and PB gave us a lovely little catalyst this week.

Remnants

Half an Easter eggshell,
Ju-ju bean left
Hiding under a leaf,
A tiny yellow bead
Fit for little girl’s gem;
Remnants of her
Passing this way on
Her path elsewhere,
Toting her Barbie
Overnight case and
Dora’s explorer jacket,
Making a matched set.

# # # #

Poetic Asides, on the other hand, told us to take a tine from one of the poems we’d written this month and to make that the title for a new poem. This is an old technique, which works beautifully; so well, in fact, that while I was going through to find just the right one for today, I came away with nearly a dozen to be used later for other pieces.

Lost in Time’s Distraction (Prose Poem)

Niggle, squirm, slide into another; a thought seeks escape from corralling attempts to place it with like kind. Who said thinking was easy and follow-through hard? When had that memory formed, lacing its tendrils through countless thoughts come before? Can one have a single thought, a stand-alone, untethered to those previous or or future? How is it a trail shines within shadowed labrynth mind to lead us to beginnings decades past, long forgotten otherwise?

# # # #

We’ve already done a foreign poem this month–a translation of nothing more than form and sound. Today’s stretcher of minds has us writing a poem that includes at least five foreign words. For this I’m fortunate. I studied French. Sister spoke Spanish and German. I have all three to draw on. This is a wild attempt of using three languages to draw from simultaneously. I don’t vouch for translation accuracy, but it was fun to try.

Summer Rain

Der tag slides toward der nacht,
Leaving behind la matineé
With its verde y oro,
Wisking by l’après midi et
Passing through anochecer,
Into night’s shadowed
Les rues d’amour or
Death-stalkers’ many lairs.

Vas ist dat?

El norte un grito de advertencia
of storm’s violent coming,
Along der strasse òu zappatos
Wait at doors as if for
Entrance to leur maisons.
Will rain’s schnell machen drops
Quitar life’s suciedad
As easily as those shoes.?

NaPoWriMo’s Coloring Book

Color picture

Color picture (Photo credit: @Doug88888)

Day 28 of NaPoWriMo gave us a prompt to pick a color. How many synonyms are there for your color (e.g., green, chartreuse, olive, veridian)? Is your color associated with a specific mood (e.g., red = passion, rage, blue = hope, truth). Look around the room, take a walk — note everything you see that is your chosen color. Then start writing, using the color as a guide.

Being a Ross

Colors came
And colors went,
Each with preference.
One stayed loyal, true;
Ross green in the plaid
From old Scot’s Land
Family.

Green the moss,
Ever changing moors,
Grasses’ companion shade,
Bursting forth in springtime,
Leafing trees, myriad
Hues among hill’s
Tapestry.

Erasure and Classical Poetry

napofeature2

Day 26 Back in 1977, the poet Ronald Johnson first published RADI OS, an “erasure” of Milton’s Paradise Lost. Basically, Johnson took a copy of Milton’s long poem, and systematically erased whole words and even lines, while maintaining the relative position of the remaining words. You can see a brief excerpt here.

Today, I challenge you to perform an erasure of your own. I have to admit, pulling a classic line from a classic poem to use in a cento form is one thing, but to dissect the entire poem for the sake of eliminating much of it and it’s meaning is another story all together. And an act that is almost beyond me. I can justify erasing some and leaving the internal message of the original and that’s what I’ve done here. I have to gather courage to do more.

Erasure Beginning with Edgar Allan Poe’s A Dream Within A Dream

Life as a Dream

This kiss from you–
you are not wrong.
My days have been a dream;
hope has flown.
All we see or seem
is a dream within a dream.

I, amid the roar
of surf-tormented shore,
within my hand
grains of golden sand;
how they creep
through fingers to the deep.

Can I not grasp them tighter?
Can I not save one from pitiless wave?
Is all we see or seem
a dream within a dream?

 

 

NaPoWriMo Day 25 Ballad

Courtesy BJ Jones Photography

Courtesy BJ Jones Photography

Day 25 NaPoWriMo wanted us to write a ballad. Day 25 Today, let’s try another musical form — the ballad. Traditionally, ballads were rhymed poems that told a story of some kind, and were often set to music. They were sometimes set in four-line verses, with an ABAB rhyme pattern, employing alternating 8 and 6 syllable, iambic lines. This 8/6 iambic pattern is sometimes referred to as ballad meter. The use of this type of pattern was not universal, however, and old ballads often involve different syllable counts, as well as refrains that break up the verses.

It’s been many years since my ballad writing days, but I’m giving it a try from a slightly purist’s perspective.

Beneath the Boughs

To lie, your hand upon my face
Within our wood of yore,
To watch the sky’s lightening pace,
Know loneliness no more.

To hum the music of the lark,
Mid daisy meadows fine,
To hear owl calls of night’s last dark,
Know your heart’s love is mine,

(Refrain)
Beneath the boughs of fir and pine,
Beneath wakening sky,
My lover’s sweetest kiss and wine
To taste before I die.

With measured step we temp the fates,
We watch the day unfold,
Our love we pledge beyond the gates
Of God’s Heaven foretold.

Hold me now, my last heart’s desire
Closer than flesh can be,
Hold me as we kindle love’s pyre
Under this towering tree.

(Refrain)
Beneath the boughs of fir and pine,
Beneath wakening sky,
My lover’s sweetest kiss and wine
To taste before I die.

NaPoWriMo 2013 – Day 25

NaProWriMo3
Over at NaPoWriMo, today’s prompt is to write a ballad. For those who do not know, ballads were rhymed poems that told a story of some kind, and were often set to music. They were sometimes set in four-line verses, with an ABAB rhyme pattern, employing alternating 8 and 6 syllable, iambic lines. Syllable counting and the whole Iamb business – I am not sure how I will fare on that front.

Imperfect Perfection

By: Meena Rose

As she walked along Seaside’s shores,
Skipping, hopping and pausing – in a trance,
Cold and wet sand encased her toes,
Oblivious she stood lost to ocean’s romance.

There, there she goes;
Her body’s here, her mind – no one knows.

A tingle, a touch of ocean’s spray,
Playfully dancing upon her cheek,
She wonders further towards the quay,
Her beauty, her grace all unique.

There, there she goes;
Her body’s here, her mind – no one knows.

She licks the salt upon her lips,
Raising her voice in song and praise,
Unwary she is of how my heart skips,
Unwary she is of my permanent daze.

There, there she goes;
Her body’s here, her mind – no one knows.

I promised myself that I’d say hello,
I swallowed my fear and went to the quay,
What will she say I need to know,
“Hello” I said, awaiting dismay.

There, there she goes;
Her body’s here, her mind – no one knows.

She smiled and jumped and said with joy,
“Been waiting for you to notice me,”
Shocked and surprised now suddenly coy,
I fell in love right there for all to see.